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The Meaning of Shakespeare, Volume 1 (Phoenix Books), by Harold C. Goddard
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In two magnificent and authoritative volumes, Harold C. Goddard takes readers on a tour through the works of William Shakespeare, celebrating his incomparable plays and unsurpassed literary genius.
- Sales Rank: #564670 in Books
- Published on: 1951-04-24
- Released on: 1951-04-24
- Original language: English
- Number of items: 1
- Dimensions: 8.00" h x 1.20" w x 5.25" l, .91 pounds
- Binding: Paperback
- 408 pages
From the Inside Flap
In two magnificent and authoritative volumes, Harold C. Goddard takes readers on a tour through the works of William Shakespeare, celebrating his incomparable plays and unsurpassed literary genius.
About the Author
Harold C. Goddard (1878-1950) was the head of the English Department at Swarthmore College from 1909 to 1946.
Most helpful customer reviews
93 of 93 people found the following review helpful.
Best Shakespeare Criticism
By A Customer
Other writers about Shakespeare have tried to equal Goddard's labor of love, most recently Harold Bloom's Shakespeare: The Art of the Human. None come close, although Jan Kott's Shakespeare Our Contemporary is also great, as is Allan Bloom's Shakespeare's Politics. In fact, Goddard makes Harold Bloom's effort look like it was written by a boy.
Goddard writes thoughtful, highly readable, analytic essays about each of the plays. His interpretations are the most original, but well-argued I've ever seen. Yet they frequently deviate from traditional interpretations. For example, Goddard makes a case against the much-loved, jingoistic interpretation of Henry V; Goddard reads much darker implications. In his essay about Romeo and Juliet, Goddard argues that the play is not about star-crossed lovers, but about Romeo's inability to match Juliet's love, which is the real source of tragedy.
It's hard to disagree once you've read Goddard's interpretations, but even when you do, you'll be richer for the experience.
For those of you interested in "old-fashioned" literary criticism, when writers considered it their duty, not to obscure the text or to deconstruct it, but to make difficult works more accessible, than this is for you. This is a purchase you will never regret.
21 of 21 people found the following review helpful.
Reading Deeper
By playscribbler
I once knew a young man who thought Polonius was a wise and noble character. He had taken Polonius's advice, such as "brevity is the soul of wit," at face value without noticing the irony that Polonius is not brief himself, and is in fact a meddling old fool. Reading Goddard makes me feel like that young man; he shows that Shakespeare's subtle irony is far more extensive than most theater-goers and readers realize. For example, whereas conventional wisdom holds Henry V to be Shakespeare's ideal king, Goddard interprets Henry V as the portrait of a hypocritical strongman.
If Goddard has a fault, he is too contemptuous of the theater. He sees the audience as an unthinking mob that laps up surface effects. His Shakespeare gave the groundlings the cheap thrills they crave so he could make money, but used irony to tell a poetic truth that was sometimes the opposite of what is seen on the stage. I think Shakespeare loved the theater more than Goddard did. Without the brilliant drama and comedy, his plays would be read as much as "The Rape of Lucrece," which is to say, only by scholars and devotees of Renaissance poetry. Even so, Goddard's insights are a revelation. After reading this book, you will have a greater appreciation of Shakespeare's artistic integrity.
26 of 27 people found the following review helpful.
Superb criticism
By Christopher H. Hodgkin
There's not much praise I can add to that offered by earlier reviewers. Goddard is, for me, one of the premier Shakespeare critics -- up there with Johnson, Coleridge, Bradley, and Frye. I much prefer his work to that of the two popularist contemporary critics, Bloom and Garber. Goddard lacks, thankfully, the self-aggrandizement of Bloom and Garber; his criticism is insightful and brilliant while remaining extremely accessible and enjoyable to read.
The two volumes of The Meaning of Shakespeare should be on the reading table (don't let them linger on the shelves) of every reader who respects and wants to enjoy Shakespeare.
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